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At its core, A Suitable Boy is a love story: the tale of Lata - and her mother's - attempts to find her a suitable husband, through love or through exacting maternal appraisal. At the same time, it is the story of India, newly independent and struggling through a time of crisis as a sixth of the world's population faces its first great general election and the chance to map its own destiny.


Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Thus begins a plot that could only happen in the present day, as Emira struggles to navigate racial issues and potential social media scandals, all while trying to hold together a job, a social life, and some semblance of sanity. Narrated in Nicole Lewis' confident (and confidential) tone, Such a Fun Age is one of those best audiobooks that feels like listening to a friend confess the latest details of their own life.

Is there anyone more suited to narrate a Sherlock Holmes audiobook than Stephen Fry? We think not. With his droll wit and the rich, rolling tones of his voice, Fry brings a distinguished air to these classic mysteries that would fit right in to the drawing room at 221B Baker Street.

Nigel Planer was the narrator for this series and played Uncle Grizzly. He also narrated Fearsome Tales for Fiendish Kids on audiobook.[57] Bill Wallis narrated More Grizzly Tales for Gruesome Kids,[58] and Grizzly Tales for Gruesome Kids and Ghostly Tales for Ghastly Kids were both read by Andrew Sachs.[59][60] Orion Audiobooks have also released full CD recordings of the books,[32] read by Rupert Degas.[5] Audio Go have re-released the original Grizzly Tales for Gruesome Kids audiobook on CD and download.[61]

The franchise received a positive reaction from critics, and audiences of many ages. The second cartoon programme frequently appeared on audience-rated "favourite programme" lists on Nickelodeon.[62] A reporter for The Sunday Times noted "I played all five [audiobook adaptations] to my own junior jury aged 12, 7 and 5. They sat spellbound for 75 minutes, a rare event."[1] Books for Your Children predicted that the series would be entertaining for everyone: "An excellent book of stories for all but the most timid ... the accumulation of grimness is also part of the effect, so older children can enjoy this collection by themselves and adults can have a marvellous time reading them to younger ones",[1] whereas The Evening Standard encouraged it: "It may be a children's story, but many a modern-day trendy parent could watch and learn."[1] The School Librarian added: "Jamie Rix tells us that bad ghosts always stay that way but bad children can improve, which is reassuring because his stories are full of unpleasant children."

American-born seventeen-year-old Maya Aziz is torn between worlds. There's the proper one her parents expect for their good Indian daughter: attending a college close to their suburban Chicago home, and being paired off with an older Muslim boy who's "suitable" to her mother. And then there is the world of her dreams: going to film school and living in New York City-and maybe, just maybe, pursuing a boy she's known from afar her entire life who's suddenly falling into her orbit at school.

Narrator Megan Tusing's openhearted tone makes 12-year-old Ellen's struggle with her mother's bipolar disorder suitable for middle-grade listeners. When Ellen's father volunteers to fight in WWII, her mother is plunged into a deep depression at his absence, prompting Ellen to appeal to her estranged aunt for help. Early on, a stiffness in Tusing's voice reflects Ellen's indignation at her aunt's moving her and her mother from cosmopolitan Baltimore to a Virginia mountain town without electricity. But as Ellen embraces the strength of her hardworking aunt and befriends an outcast boy, Tusing's delivery becomes more earnest. She serves the story well by not overdoing it with Southern accents in favor of folksy character voices that suggest the 1941 setting. S.T.C. AudioFile 2019, Portland, Maine [Published: OCTOBER 2019]

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